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In [[1935]] an interesting line of [[Montegrappa faccettata|faceted pens]] was created, characterized by a great variety of celluloid colors. The style of these pens was the same as the other main Italian producers and resembled the [[Doric]]. In this series was also produced an original version made with wawed faces, one of the most interesting products from the company. In this same period began a further differentiation, at the ''Montegrappa'' brand was added the ''Montegrappa Extra'' brand, reserved for the most valuable pens, while in the low end to the ''Elmo'' was added the ''Ducale''.

In [[1935]] an interesting line of [[Montegrappa faccettata|faceted pens]] was created, characterized by a great variety of celluloid colors. The style of these pens was the same as the other main Italian producers and resembled the [[Doric]]. In this series was also produced an original version made with wawed faces, one of the most interesting products from the company. In this same period began a further differentiation, at the ''Montegrappa'' brand was added the ''Montegrappa Extra'' brand, reserved for the most valuable pens, while in the low end to the ''Elmo'' was added the ''Ducale''.

Gli anni '30 furono comunque un periodo di grande attività dell'azienda, che oltre a creare modelli propri, diventò una delle principali aziende ad eseguire produzioni per conto terzi, costruendo penne per una vasta varietà di marchi, più o meno noti. Fra questi Letizia Iacopini, nel libro ''La storia della stilografica in Italia'', riporta: ''a.b.c.'', ''Aquila'', ''Astoria'', ''[[Atlantica]]'', ''[[Caesar]]'', ''[[Contessa]]'', ''Dacis AVR'', ''[[Domino]]'', ''[[Duchessa]]'', ''Montenero'', ''Pilus'', ''Titanus'', ''Vulcan-Saturnia'', ''[[Zenith]]''. A parte ''[[Domino]]'', per il quale esiste la registrazione di un marchio depositato dall'azienda stessa nel [[1925]] ({{Marchio|32169}}) la attribuzione degli altri è alquanto incerta.

The '30s were a period of great activity for [[Montegrappa]], which in addition to creating its own models, became a major production company for others brands, building pens for a wide variety of companies, more or less known. Among these Letizia Iacopini, in the book ''La storia della stilografica in Italia'', reports: ''a.b.c.'', ''Aquila'', ''Astoria'', ''[[Atlantica]]'', ''[[Caesar]]'', ''[[Contessa]]'', ''Dacis AVR'', ''[[Domino]]'', ''[[Duchessa]]'', ''Montenero'', ''Pilus'', ''Titanus'', ''Vulcan-Saturnia'', ''[[Zenith]]''. Excepted ''[[Domino]]'' for which is known a trademark registration ({{Marchio|32169}}) from [[1925]], the attribution for the others is quite uncertain.

In the late 30's, following the trend of the pens capable to show their ink level, [[Montegrappa]] started to use the [[piston filler]] and produced a  [[Montegrappa trasparente|new line]] of celluloid pens with a transparent section.  Also in this period, the effects of the World War II began to be felt, and autarkic models, equipped with metal trim and chrome steel nibs, began to appear.

In the late 30's, following the trend of the pens capable to show their ink level, [[Montegrappa]] started to use the [[piston filler]] and produced a  [[Montegrappa trasparente|new line]] of celluloid pens with a transparent section.  Also in this period, the effects of the World War II began to be felt, and autarkic models, equipped with metal trim and chrome steel nibs, began to appear.