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Since [[1935]] the company was gradually acquired by [[Faber-Castell]], even if the final sale of all ownership was made only in [[1951]]. The fountain pens took the inscription ''A. W. Faber-Castell Dossenheim'' but nevertheless the continued to bear the [[Osmia]] brand and logo, which was well known and respected, until the '60s. In [[1938]] Hermann Böhler resigned from [[Osmia]] to found in Dossenheim another company with its name that produced pens and automatic pencils.  
 
Since [[1935]] the company was gradually acquired by [[Faber-Castell]], even if the final sale of all ownership was made only in [[1951]]. The fountain pens took the inscription ''A. W. Faber-Castell Dossenheim'' but nevertheless the continued to bear the [[Osmia]] brand and logo, which was well known and respected, until the '60s. In [[1938]] Hermann Böhler resigned from [[Osmia]] to found in Dossenheim another company with its name that produced pens and automatic pencils.  
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Most of the production of [[Faber-Castell]] fountain pens was however done with [[Osmia]] trademark. In [[1935]] were introduced several models with different filling systems. Using the [[piston filler]] were: the [[Supra Luxus]] in chiseled black celluloid, produced in the 42, 44 and 46 measures, the [[Supra]] in the black or blue or silver or gold colors, with a black cross-striped transparent section produced in the 72, 74, 76, and 78 measures, the [[Osmia Brilliant|Brilliant]] similar to the [[Supra]] but only in black celluloid and in 62, 64, 66 measures, and the [[Osmia Brilliant|Brilliant]], black, in 54, 55 and 56 measures.  
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Most of the production of [[Faber-Castell]] fountain pens was however done with [[Osmia]] trademark. In [[1935]] were introduced several models with different filling systems. Using the [[piston filler]] were: the [[Osmia Supra Luxus|Supra Luxus]] in chiseled black celluloid, produced in the 42, 44 and 46 measures, the [[Osmia Supra|Supra]] in the black or blue or silver or gold colors, with a black cross-striped transparent section produced in the 72, 74, 76, and 78 measures, the [[Osmia Brilliant|Brilliant]] similar to the [[Osmia Supra|Supra]] but only in black celluloid and in 62, 64, 66 measures, and the [[Osmia Brilliant|Brilliant]], black, in 54, 55 and 56 measures.  
    
[[File:Osmia-Supra-Progress-194-Posted.jpg|thumb|left|A black [[Supra Progress]] 194]]
 
[[File:Osmia-Supra-Progress-194-Posted.jpg|thumb|left|A black [[Supra Progress]] 194]]
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In the late '30s, because of World War II, like all other German manufacturers the company suffered major difficulties, but despite the production was reduced for the call to arms of most of the employees, it remained active. After the war, not having the facilities suffered significant damage, production was resumed at full speed from [[1946]], proposing the same models of before, but with only with a [[piston filler]] and with the explicit endorsement (in addition to the [[Osmia]] brand and logo) of ''A. W. Faber-Castell''.
 
In the late '30s, because of World War II, like all other German manufacturers the company suffered major difficulties, but despite the production was reduced for the call to arms of most of the employees, it remained active. After the war, not having the facilities suffered significant damage, production was resumed at full speed from [[1946]], proposing the same models of before, but with only with a [[piston filler]] and with the explicit endorsement (in addition to the [[Osmia]] brand and logo) of ''A. W. Faber-Castell''.
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In the '50s [[Osmia]] introduced a series of new models like the [[Supra 880]], in three sizes (2, 3 and 4) in black, with a band on the cap and an ink level indicator, the [[Supra 666]] in four sizes (1, 2, 3 and 4), in black, gray and pearl and red and pearl colors, with rings ont the cap and gold and steel nibs, the [[Osmia 74D]] in black plastic, designed to make carbon copies, and the [[Osmia 52]] for the student market.
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Negli anni '50 la [[Osmia]] introdusse una serie di nuovi modelli, come la [[Osmia Supra|Supra 880]], in tre misure (2, 3 e 4) di colore nero con vera sul cappuccio e indicatore del livello di inchiostro, la [[Osmia Supra|Supra 666]] in quattro misure (1, 2, 3 e 4), di colori nero, grigio perla e rosso perla, con vere sul cappuccio e pennini in oro e acciaio, la [[Osmia 74D]] in plastica nera intagliata, progettata per eseguire copie carbone e la [[Osmia 52]], per il mercato studentesco.
    
Starting from [[1955]] were introduced two more streamlined models: the most prestigious, which were intended to compete with the [[Montblanc]] [[Montblanc 14x|146]] and [[Montblanc 14x|149]], were  [[Osmia 44x|446]] and [[Osmia 44x|448]], with three ring and the logo engraved on the cap, bicolored gold nib and a straight clip. To these followed the mid-range models [[Osmia 88x|882]], [[Osmia 88x|883]] and [[Osmia 88x|884]], in black or green stripes, a band on the cap and a beak clip.  
 
Starting from [[1955]] were introduced two more streamlined models: the most prestigious, which were intended to compete with the [[Montblanc]] [[Montblanc 14x|146]] and [[Montblanc 14x|149]], were  [[Osmia 44x|446]] and [[Osmia 44x|448]], with three ring and the logo engraved on the cap, bicolored gold nib and a straight clip. To these followed the mid-range models [[Osmia 88x|882]], [[Osmia 88x|883]] and [[Osmia 88x|884]], in black or green stripes, a band on the cap and a beak clip.