Radius

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Versione del 26 ott 2014 alle 18:07 di Piccardi (discussione | contributi) (Creata pagina con "The production is dated to the period from the 30s to mid 50s. Although clearly low-end pens, there are particularly interesting models like the versions with a special vacuum...")
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The Radius brand is the one which is known for the highest quality SAFIS production, and is usually identified with this company. It was joined by the Astura brand, used for the second tier production. Though less known, it is the production of one of the most important Italian companies, and Radius pens, like its predecessors The King, are, at least for the production that took place in the golden age of company, of highest quality and have nothing to envy to the production of the most famous italian companies like OMAS or Aurora.

With the competition faced by the gradual spread of the ballpoint pen on the market, the quality of the production, especially in the last years of the company, got much worse, but after the war, the Radius has continued to produce pens celluloid good quality until the '50s and the production of this brand is still of great interest collezionistico.

Radius
Brand pages
Brand advertising
Brand photos
Instructions sheet

History

Around 1934 "The King Società Anonima Torino" was renamed in "Società Anonima Fabbrica Italiana Stilografiche", because of the policies of forced Italianisation of names carried out by the fascist regime,[1] which made it unattractive to use an English name. It is not known when the first pens Radius appeared on the market, and at the moment the only certain date is that of the trade mark registration (Reg. Gen. N. 50489) which occurred in 1934 by the new company, which is why we take this year as its starting date.

A '50s Radius Extra instruction sheet.

The Radius initial production was divided in two lines: the Superior for the more valuable high-end pens and more valuable, and the Extra for second tier pens sold at lower prices. The Superior line remained in production, with different stylistic and technical changes, including the implementation of Trasparente version, until the '50s, while the Extra line was decommissioned in the late '40s, replaced by other economic production, such as the Comet and the Radius 31, hooded nib models of much lower quality than its predecessors.

Astura brand production was instead purely dedicated to the economical level and saw an huge variety of diffeerent models made with the most different filling systems and the most varied forms, in a sort of trial both technical and stylistic.

The production is dated to the period from the 30s to mid 50s. Although clearly low-end pens, there are particularly interesting models like the versions with a special vacuum filling system, made of transparent celluloid.

La produzione a marchio Astura degli anni '30 e '40 è estremamente variata, con una produzione orientata alle penne economiche ad ampia distribuzione, realizzate in numerosissime varianti di finiture, forme e colori. Negli anni '50 con la crisi causata dall'avvento delle penne a sfera usa e getta vennero prodotti modelli sempre più economici e di bassa qualità.

La produzione Astura pare essere terminata nella seconda metà degli anni '50, cosa avvenuta anche per la Radius, a causa della probabile cessazione delle attività della casa madre SAFIS, probabilmente messa fuori mercato dal successo delle penne a sfera. Non ci sono però documenti attendibili o indicazioni precise riguardo la cessazione delle attività.

Cronologia

Anno Avvenimento
1934 in Italia (R.D. 305 del 1934-02-05) tutti i pennini d'oro devono essere marcati a norma di legge con il numero di millesimi in una losanga
1934 la SAFIS deposita il marchio Radius (Reg. Gen. N. 50489)
1935 l'azienda introduce le Radius Extra (data indicativa, sta per la metà degli anni '30)
1941 l'azienda introduce le Radius Extra Trasparente (data indicativa, sta per l'inizio degli anni '40)
1941 l'azienda introduce le Radius Superior Trasparente (data indicativa, sta per l'inizio degli anni '40)

Riferimenti esterni

Note

  1. Letizia Jacopini in his book La storia della stilografica in Italia, reports the testimony of Bruno Milocani and Emilio Pionzo indicating the shift of production from The King to Radius around 1935 right for this reason.