Differenze tra le versioni di "Celluloide/en"

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Celluloid is an elastic material and it is shatterproof, shock resistant and waterproof. Its origin stems from the search for a replacement for billiard balls production, but was soon used for many other applications, such as combs, knife handles, and especially as support for photographic film. Today, apart from some fountain pens, is used for ping pong balls and guitar picks  
 
Celluloid is an elastic material and it is shatterproof, shock resistant and waterproof. Its origin stems from the search for a replacement for billiard balls production, but was soon used for many other applications, such as combs, knife handles, and especially as support for photographic film. Today, apart from some fountain pens, is used for ping pong balls and guitar picks  
  
La celluloide è un materiale molto resistente, richiede comunque una lavorazione piuttosto lunga in particolare per l'essiccazione che consente di eliminare i residui di umidità dal materiale. Se questo non avviene infatti essa può dare subire una cristallizzazione, diventando estremamente fragile. Un altro problema comune con le penne in celluloide è la discolorazione, presente principalmente nei colori più chiari come il perla o il verde giada; questa è in genere dovuta al rilascio di gas solforosi da parte dei sacchetti di gomma. Inoltre la celluloide è estremamente infiammabile, e non è il caso di scaldare una penna in questo materiale con fiamme vive.
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Celluloid can be a very durable material, but it requires a rather lengthy process in particular for drying that allows you to remove residual moisture from the material. If this does not happen in fact it can give undergo a crystallization, becoming extremely fragile. Another common problem with celluloid pens is the discoloration, present mainly in the lighter colors such as pearl or jade green; this is typically due to the release of sulphurous gases from the rubber sacs. Furthermore, the celluloid is extremely flammable, and is not the case to heat a celluloid made pen with an open flame.
  
Il nome celluloide è in realtà il nome commerciale dato a questo materiale dal primo produttore, la ''Celluloid Manufacturing Company'', che deteneva i relativi diritti sul marchio; per cui negli anni successivi sarà chiamato, in particolar modo dai vari produttori di stilografiche, nei modi più diversi: ''[[Radite]]'' dalla [[Sheaffer]], ''[[Permanite]]'' dalla [[Parker]], ''[[Pyroxalin]]'' dalla [[Eversharp]], ''[[Aurolite]]'' dall'[[Aurora]], ''[[Coralite]]'' dalla [[Carter]] ...
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The celluloid name was the trade name given to this material from the first producer, the ''Celluloid Manufacturing Company'', which held its trademark rights; so in the following years it was called, especially by fountain pens manufacturers, in many different ways: ''[[Radite]]'' by [[Sheaffer]], ''[[Permanite]]'' by [[Parker]], ''[[Pyroxalin]]'' by [[Eversharp]], ''[[Aurolite]]'' from [[Aurora]], ''[[Coralite]]'' by [[Carter]] ...
  
Oltre all'uso diretto, la celluloide si presta alla combinazione con altri materiali, in particolare la [[Carter]] realizzò un caratteristico materiale iridescente, denominato [[Pearltex]], combinando la celluloide con madreperla. Un effetto simile si trova nella celluloide denominata ''[[Abalone]]'' dalla [[Sheaffer]].
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In addition to the direct use, celluloid lends itself to combination with other materials, in particular [[Carter]] realized a characteristic iridescent material, named [[Pearltex]], combining the celluloid with nacre. A similar effect is in celluloid called ''[[Abalone]]'' by [[Sheaffer]].
  
[[File:Aurora-Internazionale-Serie-Color-Body.jpg|thumb|left|Esempio di diverse colorazioni]]
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[[File:Aurora-Internazionale-Serie-Color-Body.jpg|thumb|left|Example of different colors]]
  
Per le sue caratteristiche di resistenza meccanica, infrangibilità, impermeabilità, per la facilità di lavorazione e ma soprattutto per l'infinita capacità di colorazioni diverse, a partire dalla metà degli anni '20 la celluloide divenne il principale materiale usato dai produttori di penne stilografiche e rimase tale fino agli anni '40 quando iniziò la diffusione delle varie [[:Category:Materiali#Resina plastica|resine plastiche]].  
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For its mechanical strength, for beeing unbreakable and waterproof, for ease of processing and above all for the almost infinite capacity of being made in different colors and patterns (a classification is in [[Elenco tipologie celluloide|this page]]) from the mid '20s celluloid became the main material used by fountain pens manufacturers and it remained so until the '40s when the [[plastic resin]] started to spread.  
  
Benché su alcuni testi sia riportato che la celluloide venne introdotta sul mercato dalla [[Sheaffer]] in realtà la prima azienda americana ad averla usata estensivamente nella sua produzione è stata la [[LeBoeuf]], che la utilizzò per le proprie penne a partire dal 1920 circa grazie ad un brevetto ({{Cite patent|US|1302935}}) per la produzione di tubi in questo materiale, la [[Conway Stewart]] ne contesta il primato, asserendo di essere stato il primo costruttore ad aver prodotto (sempre in quegli anni) la prima penna in celluloide.  
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Although some book reported that the celluloid was introduced on the market by [[Sheaffer]] actually the first American company to have used it extensively in its production was [[LeBoeuf]], who used it for its fountain pen starting from about 1920 thanks to a patent ({{Cite patent|US|1302935}}) for the production of pipes in this material, the [[Conway Stewart]] contends  this leadership, asserting that they were the first manufacturer to have produced (still in those years) the first pen in celluloid.  
  
In realtà esistono riferimenti alla produzione di penne in celluloide fino dal 1905<ref>David Nishimura in [http://www.fountainpennetwork.com/forum/index.php?showtopic=136998&st=0&gopid=1360934&#entry1360934 questa discussione] fa riferimento ad un articolo del 1905 che parla di penne in celluloide (nera).</ref> ma in questo caso si tratta comunque di celluloide nera, e non di quella celluloide realizzata in molteplici colorazioni e motivi che diventerà il materiale più significativo a partire dalla seconda metà degli anni '20.
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In fact, there are references to the production of celluloid pens up since 1905<ref>David Nishimura in [http://www.fountainpennetwork.com/forum/index.php?showtopic=136998&st=0&gopid=1360934&#entry1360934 this discussion] refers to a 1905 article that speaks of (black) celluloid pens.</ref> but in this case it is still black celluloid, and not the one made in multiple colors and patterns which will become the most significant material from the second half of the 20s.<noinclude>
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== External references ==
== Note ==
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* [https://journals.openedition.org/cahierscfv/799] Quality Matters for Historical Plastics: The Past-Making of Cellulose Nitrates for Future Preservation
<references/>
 
== Riferimenti Esterni ==
 
 
* [http://www.getty.edu/conservation/publications_resources/pdf_publications/cellulose_ethers.html] Evaluation of Cellulose Ethers for Conservation
 
* [http://www.getty.edu/conservation/publications_resources/pdf_publications/cellulose_ethers.html] Evaluation of Cellulose Ethers for Conservation
* [http://pickcollecting.presspublisher.us/issue/summer-2010/article/pick-degradation] Sulla degradazione dei plettri
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* [http://pickcollecting.presspublisher.us/issue/summer-2010/article/pick-degradation] On picks degradation
 
* [http://cool.conservation-us.org/jaic/articles/jaic30-02-003_3.html] Celluloid objects: their chemistry and preservation
 
* [http://cool.conservation-us.org/jaic/articles/jaic30-02-003_3.html] Celluloid objects: their chemistry and preservation
* [http://www.chogokindx.com/wp/degrado-della-plastica.html] degradazione delle plastiche
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* [http://www.chogokindx.com/wp/degrado-della-plastica.html] degradation of plastics
* [http://chestofbooks.com/reference/Henley-s-20th-Century-Formulas-Recipes-Processes-Vol1/Solvents-for-Celluloid.html] Ricette di solventi per celluloide
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* [http://chestofbooks.com/reference/Henley-s-20th-Century-Formulas-Recipes-Processes-Vol1/Solvents-for-Celluloid.html] Solvent recipes for celluloid
* [http://chestofbooks.com/reference/Henley-s-20th-Century-Formulas-Recipes-Processes-Vol1/Mending-Celluloid.html] Ancora ricette
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* [http://chestofbooks.com/reference/Henley-s-20th-Century-Formulas-Recipes-Processes-Vol1/Mending-Celluloid.html] More recipes
* [http://forum.fountainpen.it/viewtopic.php?f=12&t=11452] Discussione sul forum
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* [http://forum.fountainpen.it/viewtopic.php?f=12&t=11452] Forum discussion
[[Category:Vocabolario]]
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== Notes ==
[[Category:Tecnica]]
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<references/>
[[Category:Materiali]]
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[[Category:Translated Pages]]
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</noinclude>

Versione attuale delle 00:27, 13 feb 2023

A Vacumatic with a very tansparent celluloid

Celluloid is a material invented around 1863,[1] produced from the processing of nitrocellulose and pigments in a solution of camphor and ethyl alcohol. The material when heated (about 60°) becomes malleable and may be bent and also molded; for this is considered as the first thermoplastic resin produced.

Celluloid is an elastic material and it is shatterproof, shock resistant and waterproof. Its origin stems from the search for a replacement for billiard balls production, but was soon used for many other applications, such as combs, knife handles, and especially as support for photographic film. Today, apart from some fountain pens, is used for ping pong balls and guitar picks

Celluloid can be a very durable material, but it requires a rather lengthy process in particular for drying that allows you to remove residual moisture from the material. If this does not happen in fact it can give undergo a crystallization, becoming extremely fragile. Another common problem with celluloid pens is the discoloration, present mainly in the lighter colors such as pearl or jade green; this is typically due to the release of sulphurous gases from the rubber sacs. Furthermore, the celluloid is extremely flammable, and is not the case to heat a celluloid made pen with an open flame.

The celluloid name was the trade name given to this material from the first producer, the Celluloid Manufacturing Company, which held its trademark rights; so in the following years it was called, especially by fountain pens manufacturers, in many different ways: Radite by Sheaffer, Permanite by Parker, Pyroxalin by Eversharp, Aurolite from Aurora, Coralite by Carter ...

In addition to the direct use, celluloid lends itself to combination with other materials, in particular Carter realized a characteristic iridescent material, named Pearltex, combining the celluloid with nacre. A similar effect is in celluloid called Abalone by Sheaffer.

Example of different colors

For its mechanical strength, for beeing unbreakable and waterproof, for ease of processing and above all for the almost infinite capacity of being made in different colors and patterns (a classification is in this page) from the mid '20s celluloid became the main material used by fountain pens manufacturers and it remained so until the '40s when the plastic resin started to spread.

Although some book reported that the celluloid was introduced on the market by Sheaffer actually the first American company to have used it extensively in its production was LeBoeuf, who used it for its fountain pen starting from about 1920 thanks to a patent (nº US-1302935) for the production of pipes in this material, the Conway Stewart contends this leadership, asserting that they were the first manufacturer to have produced (still in those years) the first pen in celluloid.

In fact, there are references to the production of celluloid pens up since 1905[2] but in this case it is still black celluloid, and not the one made in multiple colors and patterns which will become the most significant material from the second half of the 20s.

External references

  • [1] Quality Matters for Historical Plastics: The Past-Making of Cellulose Nitrates for Future Preservation
  • [2] Evaluation of Cellulose Ethers for Conservation
  • [3] On picks degradation
  • [4] Celluloid objects: their chemistry and preservation
  • [5] degradation of plastics
  • [6] Solvent recipes for celluloid
  • [7] More recipes
  • [8] Forum discussion

Notes

  1. the invention is attributed to John Wesley Hyatt, but there are several predecessors (its origins date back to the work of Alexander Parker in England); also the exact date of its origin is uncertain, as usual you can see details in the Wikipedia page on celluloid.
  2. David Nishimura in this discussion refers to a 1905 article that speaks of (black) celluloid pens.